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Gafsons Industries now boasts three certified products carrying the National Standards Mark

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As the Guyana National Bureau of Standards (GNBS) observes National Quality Week during October 11 – 17 and World Standards Day on October 14, it is most fitting to place the spotlight on a local company working to implement Standards – Gafsons Industries Limited (Gafoors). This company continues to strengthen its position in Guyana’s manufacturing sector through its commitment to quality and the application of Standards.

Over the years, Gafoors has worked to certify three of its locally manufactured products under the GNBS Product Certification Programme, with its most recent achievement being the certification of its 1,700-litre rotationally moulded polyethylene water storage tank.

The company has a long history in local manufacturing. According to Deputy Factory Manager, Mr. Jitendra Mishrah, Gafsons Industries began operations in 1953 and was incorporated in 1971. Under the leadership of the Executive Chairman, Mr. Sattaur Gafoor, the company has expanded its manufacturing operations significantly over the years. Today, its locally manufactured products include PVC pipes and fittings, polyethylene water storage tanks, shrink wrap, wallboard, silica board and construction buckets, among others. Mishrah indicated that the company is also pursuing several new manufacturing projects, including ultraviolet (UV) boards and Stone Plastic Composite products.

Mishrah explained that the company’s development as a local manufacturer was driven by a vision to produce more products in Guyana rather than relying solely on imported products, while simultaneously creating employment opportunities. He noted that this commitment to local production has allowed the company to expand its manufacturing capacity and contribute to employment in Guyana.

This commitment to local manufacturing has been complemented by the company’s longstanding participation in GNBS Product Certification Programme. Speaking about the importance of standards, Mishrah said, “You can’t have a counterfeit product coming to Guyana, and customers suffer for that. Like somebody is buying a pipe and a fitting, the fitting and pipe are not matching, so that is the reason why GNBS plays a very vital role in establishing production in this country, and that helps the customer; that helps the manufacturer.”

GNBS Head of Certification Services (ag), Keon Rankin, handing over the certificate to Deputy Factory Manager at Gafsons Industries, Jitendra Mishrah

Gafsons’ 4-inch concrete hollow blocks were first certified in June 2019 and are certified to GYS 215:2024 Standard. Meanwhile, its Polyvinyl Chloride (PVC) pipes, manufactured by its sister company Plastic Products Limited, have been certified by the GNBS since 2000 and currently conform to the GYS 107:2021 and GYS 99:2021 Standards.

Just last month, Gafsons Industries became the first Guyanese company to achieve certification for its 1,700-litre rotationally moulded polyethylene water storage tanks. The tanks were certified in accordance with GYS 588:2023 Standard, and the company was granted the right to use the National Standards Mark on the certified product.

For Gafsons Industries, product certification provides an important framework for maintaining the quality and consistency of its locally manufactured products. Mishrah described the requirements established by the GNBS as a ‘yardstick’ for manufacturers, adding, “The Bureau creates a yardstick for the manufacturer to follow. That makes us very stringent in following the standard. Once we follow the standard, that makes the product more qualitative to the customer, and they become very comfortable utilising the product.”

The certification process has also resulted in changes and improvements to Gafsons’ manufacturing and product identification processes. In the case of the certified water storage tank, Mishrah explained that the company standardised manufacturing parameters relating to areas such as the weight and quality of the tank to meet the standard’s requirements. Changes were also made to the product’s labelling, with information added to guide customers on installation, manufacturing requirements and other details.

Similar traceability measures are applied to the company’s certified PVC pipes. Certified pipes carry printed information identifying the applicable GNBS certification details, manufacturing date and time, and pipe size. These measures allow for greater product identification and traceability while providing customers with useful information about the certified products they purchase.

According to Mishrah, the GNBS Product Certification Programme has also strengthened customer confidence in locally manufactured products. Certification provides an added level of confidence because products bearing the GNBS certification mark have undergone an assessment process against the relevant standard.

Maintaining certification, however, requires an ongoing commitment from the manufacturer. “There is a constant effort being made to maintain the standard quality for the customer to get the benefit – we always try to improve”, Mishrah explained.   

This commitment extends to the company’s plans to pursue certification for additional products. Mishrah said the company is working towards improving other sizes of its polyethylene water storage tanks as well as additional categories and sizes of PVC pipes. Where necessary, this may involve modifications to product designs and manufacturing parameters before the products are submitted to GNBS for certification.

Looking ahead, Gafsons Industries intends to continue improving its manufacturing processes and expanding the number of products that can satisfy certification requirements. Mishrah stated that his company would recommend the GNBS Product Certification Programme to other local manufacturers, noting that greater use of standards can create a more consistent marketplace for both manufacturers and consumers.

Businesses interested in becoming certified under the GNBS Product Certification Programme are encouraged to contact the GNBS Certification Services Department for guidance on the applicable requirements and certification process. For more information, contact the GNBS at 219-0064-66, WhatsApp 692-4627, or visit the GNBS website at www.gnbsgy.org.


Source: NEW ROOMS SITE

Pres Ali leads overnight effort to restore access to children’s home

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President Dr Mohamed Irfaan Ali leads the project

President Dr Mohamed Irfaan Ali joined members of Men on Mission (MoM) and private sector representatives to rebuild the access bridge to the Save R Kids Children’s Home at Cornelia Ida, West Coast Demerara.

Working through Saturday night and into Sunday morning, the team worked to complete the project, which would normally take about two weeks.

The intervention reflects President Ali’s vision of mobilising men and the private sector to take greater responsibility for the well-being of communities, particularly where infrastructure is essential to vulnerable children’s care and protection.

The head of state said the exercise was intended to establish a model that communities across Guyana could replicate by joining forces to address practical challenges affecting institutions that provide vital services.

“What we want to do is to demonstrate this as a model. In every community where there is a children’s home, or where there are facilities, we want the community to come together…to work on fixing these infrastructures that lead to important facilities like these.”

He noted that while the government continues to advance road construction and major public infrastructure, stronger partnerships with businesses and service institutions can help resolve specific needs that directly affect communities.

At Save R Kids, the bridge reconstruction is a targeted intervention in support of the children’s home, which receives assistance through the First Lady’s A Home for Every Child initiative, including support for utilities and other operational needs.

By late Saturday evening, the work had advanced to preparations for installing the beams and decking.

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Source: Department of Public Information (DPI)

Alabama, BV’s Son Of The Soil And 2024 Dancehall Beacon Vows To Keep Authenticity And Creativity His Hallmarks in the AI Era – HGPTV – Guyana’s Nightly News and Entertainment Channel

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‘Authenticity Over Algorithms’: Beterverwagting’s Alabama Balances AI Innovation and Originality in Guyana’s Dancehall Era

By Antonio Dey | HGP Nightly News |

BETERVERWAGTING, EAST COAST DEMERARA — For prominent Guyanese dancehall and reggae recording artist Clifford Charles, widely known across the Caribbean diaspora as “Alabama” or “Bamma,” navigating the summit of local music culture required overcoming acute personal and systemic hurdles.

Deported from the United States at age 21, Charles faced what could have been a defining setback. Instead, he returned home to his native Beterverwagting (BV) on the East Coast of Demerara and turned to grassroots musical expression, building a discography centered on social commentary and working-class realities.

Now, as the inaugural 2024 Guyana Dancehall Monarch champion, Alabama weighs in on the rapid expansion of generative AI in modern production, arguing that while tools like Suno AI offer technical utility, human authenticity, distinct vocal identity, and lyrical originality must remain uncompromised.

Grassroots Roots: From ‘Dem Don’t Care’ to Jamaica’s Reggae Sting

Alabama’s emergence as a defining voice in Guyanese music developed through persistent live performance and conscious lyricism:

  • The 2006 Breakthrough: In 2006, Charles captured national attention with his hit single “Dem Don’t Care,” an acoustic social critique addressing youth disenfranchisement and systemic neglect.
  • Jamaica’s Reggae Sting (2008): Two years later, he represented Guyana on the stage of Jamaica’s famed Reggae Sting festival, testing his live delivery and stagecraft before one of the region’s most demanding dancehall audiences.
  • Major Regional Collaborations: Over his career, Charles shared stages and collaborated with prominent Caribbean stars, including Jamaican icons Buju Banton and Duane Stephenson.

“Well if the youths them is the future, why you shoot dem down… If you don’t give them the basic necessities… get with ease…” — Excerpt from “Dem Don’t Care”.

“If you do not have full control of the music you will not be able to grasp… As the music change, I still upgrade… to be different,” Alabama affirmed.

Generative AI and Music: Navigating Suno, Copyright, and Voice Cloning

As generative audio algorithms reshape song engineering, Alabama offered a candid perspective on how modern creatives should approach generative platforms like Suno:

  • Ethical Boundaries in Songwriting: Alabama explained that while he studies and adopts technological workflows to keep pace with global digital standards, he draws a hard line against delegating lyrical writing or synthetic vocal reproduction to neural networks.
  • Commercial Ownership vs. Free-Tier Traps: The BV-born artist warned that many casual users rely on free subscriptions, failing to realize they do not legally own the intellectual property or master rights generated by those engines. He urged serious producers to use paid tiers to secure clean commercial ownership of instrumentals, using the technology as a scaffold rather than a substitute for craftsmanship.
  • The Non-Negotiable Soul: Alabama cautioned that audiences immediately detect synthetic mimicry, warning that stripping away human vulnerability alienates listeners.

“I don’t really bash an artiste who is using, but I would consider how you using the AI…” Charles stated.

“We have to keep upgrading and have to be on the level of everybody in the world right now, but I would not use Artificial Intelligence to recreate my voice. I would not use it to help me write lyrics. I would use it to help me get a track together…”

“Most people use AI but not owning because they are on a free subscription… So you can own it,” he pointed out. “You cannot abuse AI. The people naturally want authenticity, and if the vocals is not you, the music is not you.”

Monarch Laurels and Preserving an Artistic Legacy

On the national competitive stage, Charles cemented his status in February 2024 by capturing the crown at Guyana’s Inaugural Dancehall Monarch Competition with his anthem “One Dan.” He returned to the national arena in 2025, securing joint second place alongside the late performer Lil Saint.

Looking ahead, the proud “Baronian” emphasized that Guyanese creatives must build strong self-marketing strategies, master copyright ownership, and pass professional tradecraft to the next generation of inner-city youth.

“We gotta make sure that we do the most that we have a legacy left,” Alabama concluded. “The country was not really facilitated to help us at that time… options before. And it ain’t saying the government is great, but I respect when I see a Minister trying.”


  • Source: HGP Nightly News / HGPTV